\u201cPopularity\u201d is difficult to quantify–especially when it comes to something like anime. However, each season, a group of professional researchers come together as part of the \u201c<\/span>Anime Shicho Logu Bunseki Girudo<\/span><\/a>\u201d (lit. \u201cThe Anime Viewing Log Analysis Guild\u201d) and they publish a book of concrete data and in-depth analysis under the title <\/span>Anime no Mirarekata<\/span><\/i> (lit. <\/span>The Way Anime Was Watched<\/span><\/i>). They then sell the book at the <\/span>Comiket<\/span><\/a> doujinshi convention. \u00a0<\/span><\/p>\n The data they gather (and then expertly interpret) comes largely from TV manufacturers themselves. Of course, this means there is a big hole in the data when it comes to the lack of streaming information. However, streaming is far less ubiquitous in Japan than it is in the US (though this is changing). And when anime are released on streaming services in Japan, episodes tend to appear a day or two late at minimum. Because of this, those who are diehard fans (or at least those who don\u2019t want to spend money on a streaming subscription) tend to still watch anime on TV.<\/span><\/p>\n It\u2019s also important to note that the data collected only includes 30-minute long, limited-run anime. This means no short-form anime are included and neither are indefinitely-running anime like <\/span>Boruto<\/span><\/i> or <\/span>Detective Conan<\/span><\/i>. <\/span><\/p>\n So using both <\/span>Anime no Mirarekata: 2017 Spring<\/span><\/i> and <\/span>Anime no Mirarekata: 2017 Summer<\/span><\/i>\u2019s statistics, let\u2019s see just how popular <\/span>Re:Creators<\/span><\/i> was when it was on the air.<\/span><\/p>\n Side Note: Ratings in Japan.<\/strong> Ratings are presented as a percentage. It is calculated by taking the estimated amount of actual viewers for a show and dividing that by the estimated amount of potential viewers. Thus a 1% rating means that, of all the people that could potentially be watching a show when it airs, 1% of them actually watched it. <\/p><\/blockquote>\n Overall, <\/span>Re:Creators<\/span><\/i> was the 15th most watched anime on TV in the spring (out of 38) and the 13th most watched anime on TV in the summer (out of 42) with its 1.33% and 1.19% viewership ratings respectively. This puts it well above the median ratings for both seasons–meaning that it was watched more than half of the other anime on TV.<\/span> <\/p>\n On the other hand, it was below the average rating in spring–though this is hardly surprising. The spring 2017 season had not one but two breakout hits that utterly trounced all the other airing anime–namely second seasons of <\/span>My Hero Academia<\/span><\/i> and <\/span>Attack on Titan<\/span><\/i>–which really served to skew the average. In the summer, where there was only a single breakout hit, Re:Creators<\/em> sat just above the average. <\/span><\/p>\n Looking at the week-to-week ratings data, there are a few things of note. <\/span>Re:Creators<\/span><\/i> was always below the seasonal average (around 0.1% lower) when it came to how many people were watching live each week. This is potentially due to its 11:30pm timeslot. Likely for the same reason, the amount of DVR recordings was way above the seasonal average–a 0.6% difference by the end of the summer season. Likewise, the amount of people that actually watched what they recorded was above the average–though only by around 0.1%.<\/span><\/p>\n The only real outlier in the data comes on episode 13. While the number of live viewers–aka., the most hardcore fans–stayed the same, the number of recordings and number of recordings watched both plummeted. Why? It\u2019s almost certainly because episode 13 was the series\u2019 token recap episode. And while it turned out to easily be the funniest episode of the whole series–and one of the best recap episodes ever made–it\u2019s clear that many viewers didn\u2019t even give it a shot.<\/span><\/p>\n Now to give all that information a bit more context, let\u2019s see how <\/span>Re:Creators<\/span><\/i> stacked up against the best and worst of the spring and summer seasons.<\/span><\/p>\n The most-viewed anime of both seasons, as luck would have it, was superhero school adventure <\/span>My Hero Academia<\/span><\/i>. It had over three times <\/span>Re:Creators<\/span><\/i> viewers in the spring and over four times its viewers in the summer.<\/span><\/p>\n On the other end of the curve, <\/span>Re:Creators<\/span><\/i> had over four times the viewers of the spring\u2019s least-watched, <\/span>Twin Angel Break<\/span><\/i>, and close to six times the viewers of the summer\u2019s biggest flop, <\/span>Fox Spirit Matchmaker<\/span><\/i>. <\/span><\/p>\n![\"\"](\"https:\/\/i0.wp.com\/biggestinjapan.com\/wp-content\/uploads\/2018\/04\/tumblr_inline_p1maxjbtWn1usmyce_500.jpg?fit=500%2C699&ssl=1\")
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Image source: TV\u30a2\u30cb\u30e1\u201cRe:CREATORS\u201d\u516c\u5f0f<\/a> on Twitter<\/em><\/p>\n![\"\"](\"https:\/\/i0.wp.com\/biggestinjapan.com\/wp-content\/uploads\/2018\/04\/RC-TV2.jpg?w=700\")
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